Comme des Garcons Homme Plus最新發表的秀上,
使用了格紋,拼接,貼布...等元素打造出一種半正式的風格,
西裝外套與長褲上的顯眼設計,讓整體散發出一種PARTY TIME的樣貌,
關於這次的秀評可以參考來自STYLE.COM的文章:
La Scala is an exceptionally cheesy discotheque on the Rue de Rivoli in Paris. Favored by package-tour ravers, it features a video wall playing MTV dating disasters. In bikinis. Not the kind of place you’d expect to hear Ella Fitzgerald singing… or, even more so, expect to see Rei Kawakubo’s latest collection. But all these elements came together with surprising seamlessness in one disorienting, dystopian package for Comme des Garçons’ fall show.
Rei’s enduring affection for Vivienne Westwood found an explicit outlet in clothes that took the teddy boy proportions of Viv’s first foray into fashion design (Let it Rock) and combined them with the iconoclasm of punk’s seedbed, Viv and Malcolm McLaren’s legendary Seditionaries. She applied graphics adapted from Jamie Reid, punk’s Leonardo, to a distressed drape jacket. Another jacket was deconstructed with zippers. Classic tweeds and glen plaids were bisected by brutal plaid inserts, or overprinted and degraded, as though hungry rodents had been gnawing on them. And the slogans branded on the clothing? "Closing Down Sale," "Last Days," and the timeless "No Future."
But the fact that such glass-half-empty sentiments shared cloth with a determination to specify the season in which these outfits were being presented (i.e., "Comme des Garçons Autumn/Winter 2008") hinted at a different agenda, one that recognized the primacy of the moment. Carpe diem—could that be Rei’s latest message?
P.S. In a chapeau-obsessed season (from Chaplin’s bowler to Suggs’s porkpie), you’d be hard-pressed to beat Stephen Jones’ peerless top hats. For some reason, they made one think of that old line about elegance being refusal.
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